2287 безплатни аудиофайлове за "C Sharp Chords"

Pythagorean diatonic scale on C. + indicates the syntonic comma.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

♭III+ chord in just intonation. Pitch bend matches intervals.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

iii7 as tonic substitute. Created by Hyacinth (talk) 16:16, 14 July 2010 using Sibelius 5.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Barbershop bell chord. Pitch bend matches just intervals.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Hungarian major scale on C

11-tet scale on C. MIDI pitch bend matches intervals.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ives quarter tone fundamental chord.

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

Bergamesca variant, MS. Lute Book, c. 1600.

Debussy Pelleas et Melisande prelude opening.

ii7-subV7-IM7-I6 progression. Chord quality substitution.

Diminished chord in first inversion in Bach's WTC I, Prelude in G Major.